“The very first song I wrote with Paul Duncan and Paul Mabury, ‘Once and For All,’ I wrote from the perspective of, ‘how do we create lyrical depth that can be reflective like a hymn?’ It kind of created this journey that I’m still riding on.” It can be modern, but just something that offers a little bit more,” Daigle says. When I was new to Nashville, I told my producers, I said, ‘I really don’t want to settle for just cliché. “Hold On To Me” includes lines such as: When the best of me is barely breathin’/ When I’m not somebody I believe in…When I start to break in desperation /underneath the weight of expectation/ Hold On To Me. Whereas certain Christian songs focus on simple rhyming schemes and straightforward lyrics meant to be sung by the masses in church services, Daigle’s music turns inward, examining vast emotional landscapes ranging from insecurity, hopelessness, and desperation, to contentment and joy. In moments where the future may look uncertain and unknown, this is a song of hope that any person can cling to.” “There are times we may need a reminder of who we are and that we are worthy of having joy in our lives. “The thing I love most about this song is that it lends itself to someone who is feeling incredibly vulnerable, someone who is feeling insecure, or uncertain,” Daigle shares. It creates wonder in the middle of the song. As if time comes in and says, ‘I’m actually a songwriter on this as well.’ It’s kind of this external writer that really comes and ties the bow around the present. “I think living with a song for a while, it’s almost like time gets its 33 percent. “We wrote it for such a different time period and then 2020 hit and it’s like, ‘Whoa! Those lyrics just came to life in such a different way,” she says. The song, plea for comfort and steadfastness during a season of uncertainty, may have been written two years ago, but feels tailor-made for right now. “Hold On To Me” finds its creative origins in the back lounge of a tour bus in Phoenix, and later refined during a live performance in Wichita. “The people that can write on the road and also deliver all the goods for a show at the end of the day-I wish I had those muscles, but I do not. “I am always not a road writer,” Daigle tells American Songwriter. In pre-pandemic 2019, Daigle reunited with longtime collaborators Paul Mabury (a co-writer on “You Say” and “Still Rolling Stones”) and Paul Duncan (“Still Rolling Stones”) for writing sessions during her tour, penning the track in sessions held between tour stops in Wichita, Kansas, and Phoenix. That album followed her 2015 debut How Can It Be, which garnered one platinum and two gold-selling singles. 3 on the Top 200 albums chart, making Daigle the first female artist to simultaneously hit the Top 10 on both Billboard’s Pop and Christian Albums Charts. The album was spearheaded by the singer’s soulful, Adele-esque voice, and the blockbuster hit “You Say,” which went triple platinum, also earned a Grammy, and became the only song to spend 100 weeks or more atop any of the Billboard Hot Songs charts. The song, which releases February 26, marks her first new music since 2018’s Grammy-winning album Look Up Child, which set Louisiana native Daigle’s career on a red-hot trajectory. For Contemporary Christian hit maker Lauren Daigle’s newest release, “Hold On To Me,” it was a bit of the latter. Others take days, weeks, even months of evolution and careful crafting. Some songs come effortlessly, in mere moments, springing from a songwriter’s imagination in full formation.
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